Home
Mission/Vision
About Us
Programs
Group Rentals
Facilities
News
Directions
Contact Us
Association Members
How You Can Help
Sign Up For eNews

 
   
   
 

Aging With Spirit

Fall Association
Wrap-up

Grief Retreat Preview

John’s Views by Jacobs Creek
Office

Throwing pottery
at the Glass and
Ethnic Festival

Programs Spotlight







News


Throwing pottery at the Glass and
Ethnic Festival

Laurelville hosts artists, demonstrations
at Mount Pleasant festival

"Did you make all of these?"

Astonished visitors to the Laurelville booth at the Mount Pleasant Glass and Ethnic Festival asked this time and time again as they took in the large collection of pottery for sale.

It's festival season in the Laurel Highlands, and Mount Pleasant's installment is no small stop on the circuit. 40,000 people attend the three-day event annually, enjoying its music, food and festivities.

This year, Laurelville sponsored a booth that showcased the gifts and talents of local potters. Six individuals shared their work, taking turns at an electric wheel to give passers-by a glimpse at the craft of ceramics. They worked against a backdrop of elegant pieces of their own pottery, from serving platters to vases to unique coffee mugs.

Diane Pyda participated as one of the featured artists at the Laurelville booth. An art teacher at Mount Pleasant Area High School, she has expanded the school’s art program to include a number of ceramics courses.

Laurelville’s relationship with area potters has grown significantly over the past couple years, thanks in part to Keith Hershberger. Based in Pittsburgh, Hershberger, who is married to former Laurelville program director Erin Clymer, worked alongside Union Project artists and others in the community to construct a wood fired kiln on site at Laurelville just over a year ago.

Pyda joined the effort as soon as she caught word of it. “I taught the Rittenhouse girls (Krista and Leah, daughters of Laurelville’s Jane Rittenhouse and her late husband, Don) in school, and they were so excited about this kiln-building workshop at Laurelville,” Pyda recalls. She has been involved ever since, forming strong friendships with many of the participating artists, whom she describes as “some of the nicest people.”

The kiln—which will be fired again in late October as part of Beyond Words—heats up to 2300 degrees Fahrenheit in order to fire durable, high-quality pottery. The results are intriguing. A number of the ceramics for sale at the festival had been fired in the kiln at Laurelville.
But the main attractions to the Laurelville booth were undoubtedly the live pottery throwing demonstrations. When an artist was at work at the wheel, visitors stood by, mesmerized, as lumps of clay took shape according to the potters’ inspiration.

 

http://www.laurelville.org/beyond_words.html

 

 

 

 

 


 

 

  I I I